Skewed Visions is

Skewed Visions fosters innovative, thoughtful artistic practice, questioning the way things are.

We are not satisfied with received ideas of what an arts experience should be, and we work to change the landscape of daily life.

Skewed Visions belongs to the long tradition that sees art as a fiercely independent response to reality.

Image of a play
Photo Cubicle 3 logo

What is happening

We present Cubicle3: Work. Now. A series of artistic responses to work and identity in the middle of our turbulent times

We have requested short videos inspired by our new circumstances. We offer these as a marker of that time, a very long year ago, when the pandemic became a serious reality for many.

More about Cubicle3

Recent Work

Birds of the Future (2019)

Want (2018)

Appetite (2017)

Full Portfolio

From the Archive

APPETITE was an experiment between Skewed Visions co-founder Charles Campbell and composer/sound designer Ted Moore.

Part concert, part storytelling, part film, part consumption-machine lovefeast, APPETITE could be described as the re-telling of history after the invention of time-travel.

Go to the Archive

What They Say About Us

EX felt like an x-ray machine for all my baggage… But don’t see it to find out about me. See it to find out about yourself.

Noah Keesecker, Artist

Skewed Visions are singularly aware of the intangible realities of space. The most important among these intangibilities is the simple fact that the space in which we live, through which we move, which we use, enjoy, or dislike is always already claimed. There is no such thing as uncharted territory when it comes to spatial propertyship.

Branislav Jakovljevic, Frakcija

He Woke Up... is compelling and unusual theater, not easily forgotten. It’s performed by clever people tackling an important topic in an offbeat way.

Matthew Everett, Twin Cities Daily Planet

Although the project is called Invisible City, it encourages you to observe everything around you with a closer eye than you would otherwise. While you might be looking for some secret entrance, really what is happening is that you're becoming more aware of what you see, hear, and smell around you.

Sheila Regan, City Pages

The impetus for EX came from grief. In the course of a year, Campbell lost his mother to Alzheimer’s and his sister to cancer. But with its dance sequences, non-linear narrative structure, and visual gags, EX isn’t maudlin or saccharine. EX is a quiet and meditative work, but one filled with palpable physicality, humanity and significance.


Carl Atiya Swanson, Cake In 15

Losing Kantor is an intriguing set of moments and images strung together and focused through your own cardboard set of blinders. It’ll make you think differently about theater, and about being an audience member. And it’s, strangely, not the least bit weird or taxing. It’s actually quite refreshing and reinvigorating.

Matthew Everett, Single White Fringe Geek

City Pages got a sneak preview of Black Water, and you're hearing it from us first: This is not a show you want to miss. The whole piece... is haunting and rather apocalyptic. The real star of the show, though, is the drone. That will scare the living shit out of you, guaranteed.


Sheila Regan, City Pages

The Founders

Charles Campbell

Charles Campbell
Gulgun Kayim

Gülgün Kayim
Sean Kelley Pegg

Sean Kelley-Pegg

Become a Member

Skewed Visions is member supported. Our independence depends on you.

For $35 per year, you make Skewed Visions possible, and we can do what needs to be done. Plus, members get super-major discounts to performances and events.

Support Us

Where it will happen again

Fresh Oysters Performance Research is where you can find us, it is our studio space at 512 East 24th Street in Minneapolis.

Shared with the exciting performance makers, Fire Drill and Anat Shinar, Fresh Oysters Performance Research is where it all will happen again. After COVID.

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